Provence Holga, 2005
Images of Sunlight & Shadow, all made with the plastic Holga camera.
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All photographs by John Hames.
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Professional Services: Portraiture / Weddings.
Joanne at the Palais des Papes, Avignon, 2005.Cypress and church, Avignon, 2005.Fallen Column, Rue des Teinturiers, Avignon, 2005.Waterwheel, Avignon, 2005.Homage to Coburn, Pont d’Avignon, 2005.Les Arènes, Arles, 2005.View from the Roman Arena, Arles, 2005.Dismantled columns in the Théâtre Antique, Arles, 2005.Bishop's Palace, Arles, 2005.Courtyard of the Bishop's Palace, by the Cathedrale St-Trophime, Arles, 2005.Eglise Notre Dame, Abbaye de Montmajour, 2005.Open Tombs, Abbaye de Montmajour, 2005.Tree and Roman columns, Glanum, 2005.Ancient market square, Glanum, 2005.Roman Curia, Glanum, 2005.Sleeping dog, Les-Baux-de-Provence, 2005.Chapelle des Penitents Blanc, Les Baux-de-Provence, 2005.Ivy grows on an old wall, St-Rémy-de-Provence, 2005.Drainage ditch in a cobblestone alley, St-Rémy-de-Provence, 2005.Plane tree and carousel, Place de la Republique, St-Rémy-de-Provence, 2005.Double-exposure, St-Rémy-de-Provence, 2005.A cypress tree, Place de la Republique, St-Rémy-de-Provence, 2005.Shadows of plane trees, Place de la Republique, St-Rémy-de-Provence, 2005.A poster adorns a wooden shutter, St-Rémy-de-Provence, 2005.Shady Lane near Monastère St-Paul de Mausole, St-Rémy-de-Provence, 2005.A wooden fence  near Monastère St-Paul de Mausole, 2005.Cypresses near Le Monastère St-Paul de Mausole, St-Rémy-de-Provence, 2005.Cloister, Le Monastère St-Paul de Mausole, St-Rémy-de-Provence, 2005.Olive Tree, St-Rémy-de-Provence, 2005.Stairway in the Citadelle, Les Baux-de-Provence, 2005.In the Citadelle, Les Baux-de-Provence, 2005.Irrigation Canal, The Camargue, 2005.Outside the walls of Aigues-Mortes, 2005.Ramparts of the old town wall, Aigues-Mortes, 2005.Joanne walks over smooth stones on the trail to Pont du Gard, 2005.Third Tier Arch, Pont du Gard, 2005.Pathway below Pont Du Gard, 2005. Irises bloom near a retaining wall in the village of Séguret, 2005.Fountain, Séguret, 2005.Doric column in the Roman ruins of Vaison-la-Romaine, 2005.The ruins of Quartier de la Villasse, Vaison-la-Romaine, 2005.A well-preserved Roman statue, Vaison-la-Romaine, 2005.Broken Roman column, Vaison-la-Romaine, 2005.The remains of a Roman Column is dappled by sunlight, Vaison-la-Romaine, 2005.Shadows on the steps of the ancient Théâtre Romain, Vaison-la-Romaine, 2005.Joanne finds a pinecone, Vaison-la-Romaine, 2005.Window and cypress, Gigondas, 2005.An art installation adorns a courtyard in Gigondas, 2005.Joanne rests her weary feet at the top of the village, Gigondas, 2005.A wrought-iron gate creates interesting shadows, Gigondas, 2005.An art installation adorns a church, Gigondas, 2005.Pont Romain over the River Ouveze, Vaison-la-Romaine, , in the Haut Vaucluse region of Provence, 2005.A vineyard that we passed on our hike to Le Crestet, Côtés-du-Rhône, 2005.Pruned Catalpa tree, Le Crestet, Côtés-du-Rhône, 2005.Fig tree and cypress, Le Crestet, Côtés-du-Rhône, 2005.A small tree grows in an alleyway, Crestet, 2005.A flower garden in Le Crestet, 2005.Mon Puce in the early morning, at La Maison Aux Volets Bleus, Venasque, 2005.A pigeon takes flight, Venasque, 2005.View of hilltop village of Gordes and the Chateau de Gordes, 2005.A fountain in Venasque, 2005.Joanne in a reflective moment at Pont Notre Dame, Pernes-les-Fontaines, 2005.Frogging in the River Nesque, Pernes-les-Fontaines, 2005.The entrance gate to the walled city, Le Pont Notre Dame, Pernes-les-Fontaines, 2005.Contrails above the hilltop Notre-Dame-d'Alydon in Oppède-le-Vieux, 2005.Trail to ruins on the hilltop above Oppède-le-Vieux, 2005.Shadow of a Gargoyle, Oppède-le-Vieux, 2005.Cypresses along the trail to hilltop Notre-Dame-d'Alydon in Oppède-le-Vieux, 2005.A threshold in the hilltop village of Lacoste, 2005.Loose roof tiles and a statue's head, Lacoste, 2005.Shadows on the wall, Lacoste, 2005.Boulangerie, Lacoste, 2005.Wrought iron fencing, Saignon, 2005.Buttonwood tree, Abbaye de Silvacaine, 2005.A shadow of a cypress falls on a chapel, Moustiers-Ste-Marie, 2005.Agave and aloes, Antibes, 2005.Agave flower stalk, Antibes, Côte d’Azur, 2005.
Provence Holga:
Provence is the southernmost area of France, an area that is full of history and tradition, with a relaxed pace of life that depends more on agriculture rather than on technology.  It is a place where the senses are savored, and art embraces those senses.  It's also an area (along with England) that claims honors as the birthplace of photography.  And it is a place of dazzling light, intense shadow, and details reminiscent of that past era. 

The Holga is a small plastic camera with few controls.  The images it produces are defined by a vignette, where a darker, distorted edge surrounds a more clearly defined center.  It absolves itself of the purely descriptive nature of photography by embracing a lack of perfection, and it draws our attention into the center of the image, away from the outside edges.

With the Holga, the subtleness of the tones and the unreliability of the results provide me with continuing discoveries: I can guess at what the image will look like, but I’m always surprised when I see the developed negatives.  I am drawn to this sense of discovery and uncertainty, and the emotional motifs that are evoked by such imperfect images.

In a way, the Holga image echoes our own imperfect understanding of life: when our attention is focused on some object or idea we may see it clearly but everything else often becomes blurred and vague.  Holga images are not perfect reflections of the world.  They retain some mystery, some aura of the unexpected.

It is the same when traveling.  I may acquaint myself with the history and culture of an area before I arrive, but it is the sense of discovery and uncertainty, the texture of a place, and the emotional experience of actually being there that inspires my image-making.  I tend to immerse myself in the moment, and let the outside world slip away, and that is the image I seek. 

“Provence Holga” represents the experience of traveling in the south of France, of just being there, in the moment.  And it is a look back at a simpler time, with a simpler view; an ode to a time when discovery still outweighed technology. 
All photographs copyright 2005 John Hames.  All images are scanned from 6x4.5cm negatives made with the plastic Holga camera using Tri-X 120 film.